Christ in Jerusalem, Jacopo Robusti known as Jacopo Tintoretto (Venice, 1519 – 1594) Circle/workshop

Jacopo Robusti known as Jacopo Tintoretto (Venice, 1519 – 1594) Circle/workshop

Entry of Christ into Jerusalem

16th/17th century

Oil painting on canvas

85x104 inch
In a fine antique frame (missing parts, defects and restorations on the frame) 106 x 123 cm.

Complete details of the painting (click directly on this LINK)

The image captures the solemn yet triumphal entry of Christ into Jerusalem, a pivotal moment narrated in the Gospels and which has inspired numerous works of art, testifying to its importance in Christian tradition, commemorated on Palm Sunday.

Christ, serene and majestic, is surrounded by a cheering crowd that welcomes him with enthusiasm and devotion, spreading cloaks and palm branches on the ground as a sign of homage, and acclaiming him as the Messiah with the cry of "Hosanna!"; he is depicted riding a humble donkey, a symbol of peace and humility, in contrast to the grandeur of the event.

The work plays with bold chiaroscuro effects, creating depth and emotional intensity, with divine light seemingly descending on Christ and part of the crowd, while the shadows contribute to a sense of pathos and mystery, typical of Venetian Renaissance art, enhanced by the rich and vibrant color palette.

The painting is in fact a valuable example of Venetian painting, the work of a Venetian painter active between the 16th and 17th centuries, based on the pictorial models of Jacopo Robusti known as 'il Tintoretto' (Venice, 1519 – 1594), one of the most daring and innovative figures of the Venetian Renaissance.

In our opinion, the authorship should therefore be sought within his circle or among the large group of students who gravitated around the master's Venetian workshop.

His career, which spanned the 16th and 17th centuries, is characterized by a unique approach to painting that helped define Venetian Mannerism, with a unique ability to transform religious themes into compositions of strong emotional intensity, which cannot fail to captivate the observer.

His rapid and decisive brushstrokes are one of the most distinctive features of his style, giving his works an extraordinary liveliness and dynamism. The bold play of light and shadow and the theatrical perspective demonstrate extreme technical mastery and creative impetus, making his style highly recognizable and an inspiration to many 16th-century painters.

Furthermore, the technical mastery of our author should be highlighted, with specific details of great emotional impact, such as the breastfeeding mother in the lower left corner, the pair of women seen from behind in front of Christ, and finally the character also seen from behind, which reflects Tintoretto's typical ability to portray anatomical details, creating figures capable of exuding strength and vitality.

ADDITIONAL INFORMATION:

The work is sold complete with a gilded wooden frame and is accompanied by a certificate of authenticity and descriptive iconographic card.

We take care of and organize the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the gallery in Riva del Garda, we will be happy to welcome you to show you our collection of works.

Contact us, without obligation, for any additional information.

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