Wooden high relief 'The Nativity', Spain, 16th century

High relief sculpture depicting the Nativity
Spain (Seville) – second half of the 16th century

Sculpted and carved wood, polychrome with gold finishes

Dimensions: 94 x 71 cm.

Full details of the work (click HERE)

It is a polychrome wooden sculptural work of art, dating back to the late Spanish Renaissance, depicting the Nativity, in particular the Adoration of the Child by Mary and Joseph accompanied by four large winged angels, two above resting on opulent clouds and two in the main scene, who share the scroll with the inscription “Gloria in excelsis Deo”.

The sculpture captures a moment of devotion and religious narration, typical of the sacred art of the time, which sees the Virgin Mary at the centre bending over the Baby Jesus, lying in a wicker manger, with Saint Joseph behind her observing the scene holding a lantern.

The work features a style typical of Spanish sacred art, characterized by strong realism and the use of brightly painted wood. The style is characterized by robust figures, intense expressions, and a vivid use of color, with gold details on the angels' wings and robes.

The composition is dense, with the figures grouped around the focal point of the Child, creating a sense of intimacy and devotion. The depth of the relief varies, with some figures protruding more than others.

The legacy of the models of Italian Renaissance Mannerism brought to Spain by Alonso Berruguete (Valencia 1485/1489 – Toledo 1561) is evident. He came to Italy, staying and working between Rome and Florence, learning the stylistic canons of the Italian Cinquecento, which he reworked upon his return to his homeland around 1517.

We presume that the work was part of a larger narrative composition, positioned in the compartments of a monumental altar that most likely followed the central theme of the life of Christ. The door altars were commissioned from the most important sculptors of the time, capable of creating works that could exceed several meters in height and that could require many years of work.

The bas-relief appears with signs of wear, discoloration and repainting that testify to its age.

ADDITIONAL INFORMATION:

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