early eighteenth century
12,5 x 17 cm
early eighteenth century
Courteous scenes
(6) Wood and ivory, 12,5 x 17 cm
The work is accompanied by a Cites Community Certificate
The six elegant ivories applied on wood analyzed here depict various epic scenes. The episodes depict moments of combat and military life: we see warriors ready to assault the walls of a fortified city, moments of negotiation and surrender, races on chariots pulled by galloping horses. Of particular interest is the scene where a soldier takes the helmet off a defeated enemy, who turns out to be an enchanting woman with long hair. The episode could refer to canto XII of Gerusalemme Liberata, an epic-heroic poem in octaves written by Torquato Tasso, in the period before 1575 and concerning the capture of the Holy Sepulcher by the Christians during the first Crusade of 1096-1099. The song in question narrates the episode of the night duel between Tancredi, general of the first crusade against the Turks of Jerusalem, and Clorinda, an Ethiopian princess of the Muslim religion, who arrived in the Holy City to fight the invaders. Tancredi will discover the identity of her beloved once she is fatally wounded and only after having removed the helmet from her head. Even the panel where the Lord of the Underworld is represented in the presence of a florid woman scantily dressed and a bearded man can refer to the fourth canto of the poem, which tells of an infernal council, evoked by the magician Idraote, who sends the seductive sorceress Armida at the Christian camp to wreak havoc. The meticulous rendering of the details, the armor and the scenic layout in which the figures are inserted is striking in the burin-engraved ivories. The rectangular shape and the material with which the tiles are made suggest that they could originally have been inserts of a precious monetary cabinet.
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